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| Título : |
Henry Moore on sculpture |
| Tipo de documento: |
texto impreso |
| Autores: |
Henry Moore (1898 - 1986), Artista ; Philip James, Editor comercial |
| Editorial: |
Londres [Inglaterra] : MacDonald |
| Fecha de publicación: |
1966 |
| Número de páginas: |
293 p. |
| Il.: |
il. |
| Nota general: |
Contiene escritos recolectados y editados para esta obra. Así mismo contiene ilustraciones y fotografías tomadas por Henry Moore, no solo de su obra sino de artistas de su mismo periodo. Ser aprecian unas 125 ilustraciones en blanco y negro, así como también 5 a color. |
| Idioma : |
Inglés (eng) |
| Clasificación: |
730.92 Escultores |
| Resumen: |
"Henry Moore was written, talked and brioadcast about sculpture from time to time over the past 30 years. As he is the world´s greatest living sculptor his words have an importance far beyond his original audience or readership. What he has to say is of the most profound interest not only to professional artists but to all those interested in contemporary art. Now for the first time his writings and sayings have been collected an insight into the mind of a genius. The numerous illustrations, many of them photographs taken by Henry Moore himself, show not only his own sculpture and drawings but relate them to the work of many artists of other periods about whom Moore has spoken and writen. In addition to the 123 black and white illustrations there are 5 colour plates..." (Extracto de solapa) |
| Nota de contenido: |
List of illustrations. Introduction by Philip James. Biographical: Boyhood. Leeds Scholl of Art. Italy. The first exhibition. Greece. Influences. A working day. On sculpture: The nature of sculpture. The sculoptor speaks. Unit one. Circle. Notes from a sketchbook. Art and life. The sculptor in modern society. The hidden struggle. Sculpture in the opoen air. Truth to material. The human form. On space and form. Scale. Tactile values. Carving. Bronze Casting. New ideas. Drawing. Periods of art and individual asrtists: Primitive art. Mesopotamian art. Tribal sculpture. Michelangelo. Renoir. Cézanne. Jacob Epstein. Modern art. Abstract art. Individual works by Henry Moore: Stringes figures, 1937-1939. Shelter drawings. Madonna and Child (Northampton), 1943-44. Family Group, 1945-49. Time-Life Screen and Reclining figure, 1952-53. Draped Torso, 1953. King and Queen, 1952-53. Internal and External forms, 1953,54. Warrior with Shield, 1953-1954. Upright Motives (incluiding the Glenkiln Cross), 1955-56. Reclining Figure (Unesco), 1957-58. The Reclining Figure. Two-piece Reclining figures, 1959 and 1960. Relief No.I, 1959. Standing Figure (Knife-edge), 1961. Bibliography. Index. |
| Link: |
http://www.escueladeartesyartesanias.edu.uy/sitio/pmbnew/opac_css/index.php?lvl= |
Henry Moore on sculpture [texto impreso] / Henry Moore (1898 - 1986), Artista ; Philip James, Editor comercial . - Londres [Inglaterra] : MacDonald, 1966 . - 293 p. : il. Contiene escritos recolectados y editados para esta obra. Así mismo contiene ilustraciones y fotografías tomadas por Henry Moore, no solo de su obra sino de artistas de su mismo periodo. Ser aprecian unas 125 ilustraciones en blanco y negro, así como también 5 a color. Idioma : Inglés ( eng)
| Clasificación: |
730.92 Escultores |
| Resumen: |
"Henry Moore was written, talked and brioadcast about sculpture from time to time over the past 30 years. As he is the world´s greatest living sculptor his words have an importance far beyond his original audience or readership. What he has to say is of the most profound interest not only to professional artists but to all those interested in contemporary art. Now for the first time his writings and sayings have been collected an insight into the mind of a genius. The numerous illustrations, many of them photographs taken by Henry Moore himself, show not only his own sculpture and drawings but relate them to the work of many artists of other periods about whom Moore has spoken and writen. In addition to the 123 black and white illustrations there are 5 colour plates..." (Extracto de solapa) |
| Nota de contenido: |
List of illustrations. Introduction by Philip James. Biographical: Boyhood. Leeds Scholl of Art. Italy. The first exhibition. Greece. Influences. A working day. On sculpture: The nature of sculpture. The sculoptor speaks. Unit one. Circle. Notes from a sketchbook. Art and life. The sculptor in modern society. The hidden struggle. Sculpture in the opoen air. Truth to material. The human form. On space and form. Scale. Tactile values. Carving. Bronze Casting. New ideas. Drawing. Periods of art and individual asrtists: Primitive art. Mesopotamian art. Tribal sculpture. Michelangelo. Renoir. Cézanne. Jacob Epstein. Modern art. Abstract art. Individual works by Henry Moore: Stringes figures, 1937-1939. Shelter drawings. Madonna and Child (Northampton), 1943-44. Family Group, 1945-49. Time-Life Screen and Reclining figure, 1952-53. Draped Torso, 1953. King and Queen, 1952-53. Internal and External forms, 1953,54. Warrior with Shield, 1953-1954. Upright Motives (incluiding the Glenkiln Cross), 1955-56. Reclining Figure (Unesco), 1957-58. The Reclining Figure. Two-piece Reclining figures, 1959 and 1960. Relief No.I, 1959. Standing Figure (Knife-edge), 1961. Bibliography. Index. |
| Link: |
http://www.escueladeartesyartesanias.edu.uy/sitio/pmbnew/opac_css/index.php?lvl= |
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